[ He finishes wringing his shirt out, and shakes it to get rid of the wrinkles... then seems to be debating something internally. It's obvious enough when he speaks again. ]
You mind if I hang out while it dries? I'd like to see what you've been painting here, too.
[ Drake's expression doesn't falter, stays warm and soft. ]
Water would be great.
[ Look at Sharkface, playing host. Drake follows him into the kitchen, seemingly unbothered by the fact he's not wearing a shirt. The other man hasn't said anything about it, and it's not like he has a spare. The kitchen is pretty barren, though, not even a pan out on the stove. ]
How are you guys doing on groceries? Doesn't look like you cook much.
[ But I don't have anything to offer you in return, Sharkface thinks. He watches Drake for a moment, then nods slowly. It's kindness. There's a part of him that still recognizes it.
Okay, he thinks. Okay. ]
I could come over more.
[ It's said softly. And for a moment, Sharkface allows himself to look at Drake. Really look.
He looks good like that, Sharkface thinks. With the tattoos, that easy confidence. ]
[ He does sip the water as Sharkface looks him over, trying not to feel nervous about the answer -- but it's a no. There's a weird sense of relief at that, one that Drake doesn't know how to process right now. He nods, then glances around at the walls. ]
I'm good, then. Willing to show me what you've been working on?
[ Sharkface's expression softens briefly. He thinks Drake is the only person here who he trusts - truly trusts - to look at his art and not turn into something mocking or probing. ]
[ Drake follows where Sharkface leads, genuinely curious what this version of his partner has been painting. He remembers the early days in Hadriel, where the art was mostly his family. Over and over again, until he got them just right. But here he's got a wider range of supplies, colors to experiment with, and he was eager enough to do Drake's mural -- still unfinished, and he's got ideas for more projects -- so maybe the subjects are more varied. ]
[ It's strange to have so many choices for his art. In prison he had nubby little pens and scrap paper the guards wouldn't let him kept, lest he start making escape plans or some nonsense. Here, he's got the mural on the wall, sketchbooks, and even canvases to play around with. More than a few people have bought him supplies seemingly just for the sake of doing it, without asking for anything in payment. He wants to distrust it, but no catch has been revealed just yet.
He gestures briefly at the mural on the wall, a massive undertaking that stretches from floor to ceiling. It depicts cliffs made of black crystal shining over a dark ocean, multiple colors hidden within the black. But there are shadows there, too. Something a little stranger than reality. Dark shapes looking out. Ghosts, he thinks. Paying witness.
But what he pulls out instead is a canvas, covered in a thin sheet to protect it. It's a portrait he's been working on of a dark-haired woman. The main colors are dark, bold, but the undertones are warmer. He offers it out to Drake. ]
Her name's Vanessa. Traded her the portrait for some more paint and brushes.
[ Drake is studying the cliff mural when Sharkface offers him the canvas -- he sets his glass down on the nightstand and takes the painting carefully, making sure not to touch the front of it. The paint is dry, of course, but he thinks he remembers that the oils on your fingers can damage it. Even if it's not accurate he's treating the painting like something precious. ]
It's beautiful.
[ The woman in it, obviously, but just the artwork itself too. It seems like the shading is done in careful layers, creating an intricate play of light and shadow. ]
[ They take longer to dry and he's been told they blend a little differently. Take to the canvas in a different way. They're expensive, but he's been given gifts. And there's not much he cares to buy these days except food and art supplies. ]
[ He keeps admiring it, nodding at the information he's given. It's a slightly different style than he's used to from Ephemera, but still recognizable. ]
Did she sit for this? Or are you doing it from memory?
[ He’s painted other things. Scraps of wood or metal, armor, whatever was at hand. And now he has canvases and that’s new, but not unwelcome. He’s picked it up fast. ]
Soon. I want to finish up the background and the lighting on her dress. But it came together.
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[ Regardless of cost. He understands that. It's why he fought for the Insurrection, once. ]
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[ He finishes wringing his shirt out, and shakes it to get rid of the wrinkles... then seems to be debating something internally. It's obvious enough when he speaks again. ]
You mind if I hang out while it dries? I'd like to see what you've been painting here, too.
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Yeah, if you want. Place is pretty shitty, though.
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I don't care about the place. Just the company.
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Okay. You want some water, or anything? Think I've got some coffee, but it's the shitty instant kind.
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Water would be great.
[ Look at Sharkface, playing host. Drake follows him into the kitchen, seemingly unbothered by the fact he's not wearing a shirt. The other man hasn't said anything about it, and it's not like he has a spare. The kitchen is pretty barren, though, not even a pan out on the stove. ]
How are you guys doing on groceries? Doesn't look like you cook much.
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Food's expensive.
[ And so far as he knows, Majima doesn't cook anymore than Sharkface himself does. ]
We make do.
[ He hesitates, realizing something. ]
You wanna borrow a shirt, or something?
[ Sharkface doesn't care, but he's realizing belatedly that Drake might. ]
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[ He takes the cup, raising it to have a sip but pausing at the question. ]
Uh. If it bothers you.
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Okay, he thinks. Okay. ]
I could come over more.
[ It's said softly. And for a moment, Sharkface allows himself to look at Drake. Really look.
He looks good like that, Sharkface thinks. With the tattoos, that easy confidence. ]
No. Don't mind.
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[ He does sip the water as Sharkface looks him over, trying not to feel nervous about the answer -- but it's a no. There's a weird sense of relief at that, one that Drake doesn't know how to process right now. He nods, then glances around at the walls. ]
I'm good, then. Willing to show me what you've been working on?
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Yeah. Been trying out the canvases. C'mon.
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He gestures briefly at the mural on the wall, a massive undertaking that stretches from floor to ceiling. It depicts cliffs made of black crystal shining over a dark ocean, multiple colors hidden within the black. But there are shadows there, too. Something a little stranger than reality. Dark shapes looking out. Ghosts, he thinks. Paying witness.
But what he pulls out instead is a canvas, covered in a thin sheet to protect it. It's a portrait he's been working on of a dark-haired woman. The main colors are dark, bold, but the undertones are warmer. He offers it out to Drake. ]
Her name's Vanessa. Traded her the portrait for some more paint and brushes.
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It's beautiful.
[ The woman in it, obviously, but just the artwork itself too. It seems like the shading is done in careful layers, creating an intricate play of light and shadow. ]
Is this in oil?
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[ They take longer to dry and he's been told they blend a little differently. Take to the canvas in a different way. They're expensive, but he's been given gifts. And there's not much he cares to buy these days except food and art supplies. ]
Liked doing it. It's....peaceful, I guess.
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Did she sit for this? Or are you doing it from memory?
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She sat for it. We talked.
[ It was - nice. Almost normal. ]
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[ He passes the canvas back, smiling. The painting really is beautiful, and shows the other man's range. ]
When are you giving it to her?
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[ He’s painted other things. Scraps of wood or metal, armor, whatever was at hand. And now he has canvases and that’s new, but not unwelcome. He’s picked it up fast. ]
Soon. I want to finish up the background and the lighting on her dress. But it came together.